“Caro Nome” from Rigoletto by Verdi
(107k). Amelita’s first great success at her debut which then and
later sent audiences into wild approbation.
(Recorded 1917; excerpt: 55 seconds.)
“Sempre libera” from La Traviata by Verdi
(128k). Amelita’s ability to hit and sustain high
notes with total control and perfect intonation was one of
her outstanding endowments. (Recorded 1919;
excerpt: 66 seconds.)
“C’est l’histoire amoureuse” from Manon by
Auber (140k). A perfect example of Amelita’s flawless
technique and intonation is clearly exhibited in this short
excerpt. (Recorded 1917, excerpt: 72
seconds.)
“Ombra leggiera” from Dinorah by Meyerbeer
(516k). Dinorah was Amelita's favorite rôle. I
have presented the entire “Shadow Song” here as it epitomizes
her incredible vocal technique. (Recorded 1917,
complete: 4 minutes, 25 seconds.)